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Today permission arrived from the Louvre to use my photos of Butehamun’s letter to the coffin of his wife, Ostracon Louvre N 698, not just in academic publications, but also online in the website I’ve created about Butehamun. You can see it here.
I’m very grateful to the Louvre for granting this permission. I’ll be linking to Dr. Pierre Grandet’s book with high resolution photos of the Deir el-Medina ostrica as soon as it is published.
The only online image of the ostracon previously available was published by Liverpool University graduate student Dan Potter on his blog, taken several years ago before it was restored, which he kindly allowed me to use in the submitted edition of my thesis.
On May 19, also thanks to the Wångstedt’s Foundation, I was able to visit the Egyptian Museum in Turin, to see Butehamun’s coffin and his other grave goods. The museum is the largest devoted solely to Egypt outside the Cairo Museum, and has an extensive collection of items from Deir el-Medina, thanks to the treasure hunting of Bernardino Drovetti in the early 19th century and the careful excavations of Ernesto Schiaparelli in the early years of the 20th century.
I was shown around the collections by Federico Poole, a curator at the museum, who was clearly an expert on Deir el-Medina.
As part of my research into Butehamun, and to help create a website about the famous scribe of Deir el-Medina, the Wångstedts Foundation awarded me a travel grant. Trip 1 was to the Louvre Museum in Paris, whas has a wonderful Egyptian collection, including the Butehamun’s unique letter to the coffin of his dead wife.
In the two years since my last post I’ve retired from Radio Sweden (after 40 years), and gone back to school to earn a B.A. in Egyptology.
Uppsala University is the only school in Sweden to offer Egyptology, so over a two year period I commuted 2-4 days a week, around two hours door to door. It turns out that it isn’t unusual for persioners to enroll at Swedish universities, probably because studies are tutition-free. In my first semester, which consisted of introductory courses in Egyptian history, religion, art, and literature, there were 15-20 students, of which around a quarter were pensioners like me.